Upcoming Auditions
No-cut production for ages 6-18
Auditions:
June 4, 2018Rehearsals:
Monday-Saturday, June 4-9, 9am-3pm and Monday-Friday, June 11-15, 9am-3pmPerformances:
June 14-17, 2018Please Note: The first Monday for each: Doors will open at 8:30am with registration from 8:30am - 9:00am; auditions will begin promptly at 9am. Please arrive early with your paperwork filled out.
Based on the popular comic strip and adapted from the Tony Award-winning Best Musical, with a beloved book and score by Tony Award-winners, Thomas Meehan, Charles Strouse and Martin Charnin, Annie JR. features everyone's favorite little redhead in her very first adventure.
With equal measures of pluck and positivity, little orphan Annie charms everyone's hearts despite a next-to-nothing start in 1930s New York City. Annie is determined to find the parents who abandoned her years ago on the doorstep of an orphanage run by the cruel Miss Hannigan. Annie eventually foils Miss Hannigan's evil machinations, finding a new home and family in billionaire Oliver Warbucks, his personal secretary, Grace Farrell, and a lovable mutt named Sandy.
Tuition & Fees
The tuition and costume fee for this production is $325. 10% sibling discount. Sibling discount on 2nd registration will be refunded via PayPal within 24 hours of payment received. Scholarships are available for participants who might otherwise not be able to participate. Click here for more information.
Click the Add to Cart button below to pay the fee online.
Audition Information
Those auditioning should bring a musical theatre song (or any song they are comfortable with), 16-32 bars or one minute in length. Bring an accompaniment with CD or iPod to sing with. You may also sing acapella if needed.
Please complete the following paperwork and bring it to your audition.
Audition Form
Conflict Calendar
Contact Information (to be filled out only once per season)
Performer Contract (to be filled out only once per season)
Measurement Form
Character Descriptions
Annie
Annie is a complex little girl. She is a tough, streetwise urchin who is nevertheless vulnerable when she thinks she might lose what has become most important to her: a newfound "family" who loves her. She has to be motherly in scene one, independent in scene two, overwhelmed in scenes four and five, needy in scene seven, and hopeful for the future in scenes ten and eleven. The actor who plays Annie must be strong vocally and musically. She must be capable of vocal projection without strain. She also needs a good understanding of subtext so she can act appropriately during the various scenes between Warbucks and Grace, and Miss Hannigan and Grace. Although she is at times aggressive or crafty, the audience should never doubt Annie is a friendly and caring child; she will go to any extent to gain the love of a family to which she can belong.
Vocal range top: E5 Vocal range bottom: A3
Named Orphans
Molly, Tessie, July, Duffy, Kate and Pepper. These girls are gritty, neglected and vulnerable, yet basically honest and potentially lovable. The actors portraying them must be able to have mischievous fun with each other as well as "sibling-style" fights. Each student should be able to create and shape her own character. Strong vocal strength, visually expressive, strong actors and dancers (tap skills a plus).
Miss Hannigan
This woman is definitely a "has-been." Her distaste for her job and the children that are part of it should be obvious in every line she speaks, every song she sings and every move she makes. The actor who plays her must have an excellent sense of comic timing. The acrid delivery of her lines and the torch-like rendition of her songs must distinguish her from the other characters in the show.
Vocal range top: D5 Vocal range bottom: G3
Grace Farrell
Grace is mature, calm, cool and "together." She is classy and businesslike when dealing with Miss Hannigan and Warbucks, yet maternal toward Annie. The student playing Grace can set herself apart from the other characters simply by the sophisticated way she walks. Grace should seem ready with an answer for just about anything. Each dramatic situation should seem to come "under control" the moment she glides into a scene.
Vocal range top: D5 Vocal range bottom: A3
Rooster
Rooster and Lily are quite the team -- "team" being the operative word, as the characters play off each other constantly. Rooster is flashy and self-assured. His "moves" should be as smooth as a gambler's, as should be the message he sells in "Easy Street." "Easy Street" is the most challenging number in the show, in terms of vocal range.
Vocal range top: Eb5 Vocal range bottom: Bb3
Lily
Rooster and Lily are quite the team -- "team" being the operative word, as the characters play off each other constantly. Lily (airhead that she is) is always distracted, although she manages to pick up on any conversation involving money. She never acts as the leader, always bringing up the rear while tripping over her own feet (it is difficult to walk and check your makeup in a compact at the same time). "Easy Street" is the most challenging number in the show, in terms of vocal range.
Vocal range top: Eb5 Vocal range bottom: Bb3
Warbucks
Warbucks must appear middle-aged, self-assured and confident. At first awkwardly affectionate toward Annie, he soon finds himself completely charmed by her. He begins his transformation when he views "N.Y.C." through Annie's eyes and falls in love with the city again...and with her. The actor who plays Warbucks will need to be extremely focused throughout the show. His posture, walk and speech patterns are very important.
Vocal range top: D5 Vocal range bottom: A3
Sandy
Annie's canine companion.
Servants (Drake, Mrs. Greer and Mrs. Pugh)
From the moment these characters enter the acting area, their presence, posture and speech should suggest the most fastidious of domestic help. Their heads are always held high and they rarely show their emotions. Singers, actors, and dancers of various ages that create charming characters.
Vocal range top: D5 Vocal range bottom: A3
Additional Orphans and Characters
Servants, pedestrians, Bundles, the chauffer, Louis Howe, the apple seller, additional orphans, and the dogcatcher. Each role is self-explanatory and usually identified by the character's occupation. The characters should be developed in the context of the historical time period. Singers, actors, and dancers, some who have solo speaking and singing lines.
Auditions:
Auditions July 9Rehearsals:
July 9-22Performances:
July 20-22Please Note: The first Monday for each: Doors will open at 8:30am with registration from 8:30am - 9:00am; auditions will begin promptly at 9am. Please arrive early with your paperwork filled out.
 Director/Choreographer: Sherry Henderson |
 Vocal Director: Karen Blanzy |
One of the most explosive movie musicals in recent memory, FOOTLOOSE bursts onto the live stage with exhilarating results. To the rockin' rhythm of its Oscar and Tony-nominated top 40 score and augmented with dynamic new songs for the stage musical, FOOTLOOSE celebrates the wisdom of listening to young people, guiding them with a warm heart and an open mind.
Tuition & Fees
The tuition and costume fee for this production is $375. 10% sibling discount. Sibling discount on 2nd registration will be refunded via PayPal within 24 hours of payment received. Scholarships are available for participants who might otherwise not be able to participate. Click here for more information.
Click the Add to Cart button below to pay the fee online.
Audition Information
Those auditioning should bring a musical theatre song (or any song they are comfortable with), 16-32 bars or one minute in length. Bring an accompaniment with CD or iPod to sing with. You may also sing acapella if needed.
Please complete the following paperwork and bring it to your audition.
Audition Form
Conflict Calendar
Contact Information (to be filled out only once per season)
Performer Contract (to be filled out only once per season)
Measurement Form
Click here to read the character breakdown (MS Word version with clickable table of contents)
Click here to read the character breakdown (PDF version)